Jim Vanderspar (double bass) Alison Rhind (piano) present the inaugural double bass recital at Riverhouse.
Trevor Robinson (double bass) and Davina Whitlark (piano) perform Debussy’s Beau Soir.
Diana Gannett (double bass) and John Ellis (piano)
Philip Serna (double bass) and Emily Katayama (piano) perform:
Adagio from Dmitri Shostakovich’s Ballet “Unforgettable”
(1919)
Paul Hindemith’s Sonata (1949) for double bass and piano
El Choclo, arranged by Andres Martin for contrabass and piano performed here by Catalin Rotaru and Anastasia Zhivotovskaya.
Fun mix of arco and pizz passages in this.
A concert of bass music featuring Samuel Rice on double bass, joined by Stephen Kennedy (baritone) for Mozart K612 and Sebastian Penner on the other double bass from Bottesini’s Grand Duo No. 3. Dustin Conrad accompanies on piano.
Of most interest here at Patternroot is the Koussevitzky from 1905.
Greg Hamilton will play bass and Sergio Gallo will be playing piano.
Program:
Gennady Krutikov in the first three movements of Suite for Violin and Double bass along with violinist Tatiana Porshneva.
The sheet music for this can be tricky to locate. But Liben has it.
It may be from 1996, but still a fun recording of this staple. Gennady Krutikov in the third and fourth movements of Divertimento by Nino Rota. Elena Lebed on piano.
Recital recording of Piazzolla’s Le Grand Tango with Lauren Pierce on double bass and Emily Yates on piano.
I will probably refer back to this video for the microphone placement as well. Great bass-side mic and treble-side mic setup 6 to 8 feet away.
Gennady Krutikov performing Rachmaninoff’s Vocalise on the double bass.
In addition to, of course, the excellent musicianship, this video gives a little insight into microphone placement as well.
Composed for Michael Klinghoffer, Ode for Double Bass is a jazz piece that mixes arco and pizza playing. Piano accompaniment here is played by Kai-Ya Chang.
Composed for Michael Klinghoffer, Ode for Double Bass uses jazz harmonies and makes use of arco and pizzicato. Piano accompaniment here is played by Kai-Ya Chang.
Here is the third movement of Hindemith’s Sonata for Double Bass and Piano performed by Rinat Ibragimov on bass. The 1st movement of this piece by this performer can be found here.
The first and second movements of Hindemith’s Sonata for Double Bass performed here by London Symphony Orchestra principle bass, Rinat Ibragmov.
Delache-Feldman does a faculty recital
